Through the sonification of invisible and unheard phenomena, her work renders hidden systems perceptible. From the incomprehensibly vast; asteroids, satellite imagery, and observatories across the planet, to the infinitesimally small; sap moving through trees, electromagnetic frequencies underground, and subatomic particles, these forces are brought to life through code, data systems, and electronic processing.
Working across spatial sound and installation, she explores embodied sonics as a tool for empathy. Her practice engages Earth and space data to create ‘felt’ worlds, where sound is experienced as physical materiality within the body. As sound continuously operates through us, interference and frequency become critical tools for environmental art, offering ways to confront the slow violence of a world at a crossroads of regeneration, resistance, or imminent collapse.
Her work materialises data as embodied sonic experience, enabling deeper engagement with environmental, political, and scientific systems.
She is the recipient of Help Musicians Electronic Music Award in collaboration with DJ Mag (2026) and Sound & Music’s Seed Award (2025). She has been commissioned by the British Council, ArtEO in collaboration with the European Space Agency and has presented performance and compositional work at Serpentine Galleries and the Institute of Contemporary Arts.
London
@yasminr.ai